Category: Infographics

This year’s color

PALETTE GUIDANCE FROM PANTONE.

Let’s start the new year with the right color. Once again, Pantone shows us the way forward for our infographic color palette. I’m intending to get “Living Coral” into every project in 2019. And if I happen to get asked by National Geographic to make a graphic about living coral, I will be so ready.

A 2019 starfish.

Photograph © Vladimir Voronin/123rf

Color specs:

16-1546 (Fashion, home, interiors)
RGB: 255, 111, 97
HEX/HTML: FF6F61
CMYK:  65M, 54Y (estimated)

2345C (Print)
RGB: 255, 109, 112
HEX/HTML: FF6D70
CMYK:  59M, 50Y (estimated)

https://www.pantone.com

Previous Pantone posts:
Pantone 2018: https://wp.me/p7LiLW-20A
Color code: https://wp.me/p7LiLW-qq

Supersign

MECHANICAL MEETS DIGITAL.

I wish I was getting one of these in my extremely large Christmas stocking. These classic mechanical split-flap information boards make a distinctive (and pleasant) clicking sound as the flaps turn over. Retro signage that is reborn in the digital age. As well as letters, punctuation and numerals, the flaps can display seven colors. Control the display from anywhere with the Vestaboard app, or connect with many other apps like Twitter and Slack. It also works with Alexa and Google Home.

The price is $2,250 in the U.S. Order one now for 2020 delivery (all units for 2019 are already sold).
https://www.vestaboard.com

Economic visuals

USING INFOGRAPHICS TO EXPLAIN GLOBAL BUSINESS.

This new book by Thomas Ramge and Jan Schwochow visualizes the key components that make up our complicated international economy. It’s published by The Experiment. Buy it here: https://bit.ly/2Lf6o6o

Here are three of the 99 graphics in the book. Below, worldwide poverty levels. (Click on the images to see larger versions.)

Product pipeline: The complex process of manufacturing cars.

Multi-national production, and a banana.

Some more pages can be seen on Google Books: https://bit.ly/2KSxNrQ

Thomas Ramge writes for the Economist. Jan Schwochow’s company, Infographics Group, produces the all-information-graphic magazine, In Graphics. Two previous posts about it: 

https://wp.me/p7LiLW-1mX
https://wp.me/p7LiLW-1n1

Infographics Group: https://infographics.group

Arrowmania

MORE EVERYDAY POINTERS.

Photograph © sergey novikov/123rf

Twin Arrows (below)
These 25-foot-long examples (7.6 meters) can be seen at the site of the Twin Arrows Trading Post on Route 66 in Arizona. The business closed in 1995 after Interstate 40 took away most of the passing traffic. In 2009, the arrows were renovated.

Photograph © giuseppemasci/123rf

Street direction
Frédérik Ruys, a longtime friend of mine, lives on this street in Utrecht (in the Netherlands). The traffic circle contains a large north arrow. Frédérik’s house is easy to identify, and clearly belongs to an infographics person, as it has a big pictogram of a bike on the roof.

By the way, the bike symbol contains the first initial of everyone who lives in the house (Frédérik’s family). An earlier post about an example of his visualization work is here: https://wp.me/p7LiLW-Ru

Home furnishings
Keep your books in position with an arrow going right through them. https://bit.ly/2KpV5W1

I came across this cushion in a store in Columbus (on one of my very rare expeditions away from my desk).

I need this arrow cube. It was designed by Kevin Dresser. https://bit.ly/2DVXIhP

So many variations
Julie Elman (a professor here in VisCom at Ohio University) used a lot of different arrow examples on this cover for Design Journal, the magazine of the Society for News Design.

Venetian arrows
Talking of VisCom, we’ve just been on a trip to Venice. The retro signage kept us heading in the right direction. Sometimes.

Photograph © federicofoto/123rf

Orientation
Multi-directional signs to distant locations are common at tourist places. Why? Not entirely sure what the answer is to that. Anyway, this one is in the Riviera Maya, Mexico.

Photograph © czekma13/123rf

An earlier post about arrows: https://wp.me/s7LiLW-arrows

Data mapping

JOSHUA STEVENS VISUALIZES THE WORLD’S CLIMATE AND ENVIRONMENTAL DATA.

Joshua creates compelling and important visuals for NASA’s Earth Observatory, where he’s the lead for data visualization and cartographic quality. Satellites provide the data that drives an impressive range of informative visualizations. They often illuminate key issues that our precious planet faces. See many more examples at: http://www.joshuastevens.net/

Cloud cover (above)
A subject that used to be dear to my heart: the likelihood of clear skies over the U.K. and Ireland. (I’m from England.)
https://go.nasa.gov/2CynLKv

Landslides
Satellite data every thirty minutes gives new insights into long-term patterns. https://go.nasa.gov/2yYaibh

Hurricane effect
Wind speeds as Florence churned across the Atlantic. See the full animation here: https://go.nasa.gov/2T1MAUS4g

Early spring
Climate change is bringing an earlier end to winter. https://go.nasa.gov/2PegKFj

Aerosol earth
Our fragile atmosphere faces many challenges. https://go.nasa.gov/2MsyDQl

Cyclone menace
The path of Tropical Cyclone Gita, which hit Tonga with winds of up to 145 miles per hour (233 km).
https://go.nasa.gov/2JbEVPp

Shrinking glaciers
A dramatic decrease in the size of tropical glaciers. https://go.nasa.gov/2yWp6Yh

Joshua helps to run the subreddit, dataisbeautiful: https://www.reddit.com/r/dataisbeautiful

Personal data viz

ANALOG WAYS TO SHOW THE PATTERNS IN EVERYDAY DATA.

Giorgia Lupi and Stefanie Posavec’s latest collaboration is Observe, Collect, Draw!: A Visual Journal. The book shows how anyone can have fun collecting personal data, and then use a simple non-software approach to display it. This is a natural development from the ”Dear Data” project described further on in this post.
Read more here: http://giorgialupi.com/observe-collect-draw/
Buy the book: https://amzn.to/2Op4C4S

Dear Data was a year-long analog exchange of ideas. Stefanie (London) and Giorgia (Brooklyn) mailed each other weekly data viz postcards. On the front was a hand-drawn visualization of an aspect of personal data. On the back was an explanation, and a key to understand the data. The project later became a book. Below, the covers from the U.S. and the U.K.

A few of the 104 postcards that crossed the Atlantic. Below, Week 26.

The cards from Week 50.

Read more here: http://www.dear-data.com/theproject/
Buy the book: https://amzn.to/2ynXmMx

The infographic family

VISUAL EXPLANATIONS FROM 5W INFOGRAPHICS.

The Velasco brothers (Juan, Samuel, Pedro and Martín) combine their talents to make clear and engaging infographics and data visualizations. Here’s some examples of their work. See more at: http://www.5wgraphics.com 
Their blog: https://5wvelascoblog.com 

Above, American Museum of Natural History. Below, Science & Vie magazine.

Nuclear Energy Encyclopedia. (The Emirates Nuclear Power Corporation.)

Reader’s Digest magazine.

Nature magazine. Click on the image for a larger version.

From a Scientific American book: The Zoomable Universe. https://bit.ly/2EfkySK

The New York Times.

Sukle Advertising & Design, for Esteem Hearing.

AARP The Magazine.

This space exploration timeline for National Geographic appeared in an earlier post about timelines: https://wp.me/s7LiLW-timeline
Click on the image for a larger version.
(By Sean McNaughton, Samuel Velasco (5W Infographics), Matthew Twombly, Jane Vessels and Amanda Hobbs.)

Malaria Vaccine Initiative.

UNICEF.

Juan and Samuel produced this superb book of cutaways for Gestalten: https://wp.me/p7LiLW-qF

Learning experience
Juan has led three excellent workshops for Ohio University students. I highly recommend the 5W professional workshops: http://www.5w-consulting.com

Arranged

ORDER FROM CHAOS.

The process of information design often involves applying hierarchy and order to complex subjects, and at a simple level, the careful arrangement of objects mirrors this approach. These examples are by Jim Golden: https://jimgoldenstudio.com 
Jim’s animations of old technology were featured in this post: https://wp.me/p7LiLW-2fR

Todd McLellan’s arrangements of everyday things. https://www.toddmclellan.com
Some other examples of Todd’s work in a previous post: “Organized:” https://wp.me/p7LiLW-Z4

Todd has made many deconstructions of commonplace items, including a book “Things Come Apart.” https://amzn.to/2zQlBnJ

Life in a backpack. A student project by Sarah Blankenship, one of our VisCom graduates. The descriptions are both informative and fun. The annotation component takes the project to another level. (Click on the image for a larger version.)

https://seblankenship.myportfolio.com/

Infographic therapy

VISUALIZING OUR CREATIVE HANGUPS.

I’m a procrastinator, so this map by makes so much sense to me. (Now, why don’t I finish this post tomorrow?)
Below, the angst of being creative, by Christoph Niemann.

Wendy MacNaughton’s working day.

Jeremy Nguyen’s imagined a set of freelancer stickers (for the New Yorker). Anyone who has done freelance work can identify with these.

Portfolio dilemma, and font overload by Mitch Goldstein. See more designer and design-student insights at: http://www.ahelpfuldiagram.com

Karl Gude highlights our tendency to define ourselves as under-achievers because of one super-successful outlier. Remove it, and suddenly we’ve been more successful than we imagined.

Telescopes

WATCHING THE UNIVERSE.

A comparison of primary mirrors. If a telescope has more than one mirror, the dotted lines show how large a single mirror would be (if it had the equivalent light-gathering ability). Below, some details of the three telescopes with the largest mirrors.
Infographic by Cmglee (via Wikimedia).

Overwhelmingly Large Telescope (OLT)
Sadly this massive example (with its “this-is-what-it-is” name) has been canceled. The mirror would have been a shocking 328 feet (100 meters) in diameter. It could have captured images 1,500 times fainter than the faintest Hubble Space Telescope image. Huge telescope mirrors are segmented because it’s not practical to make, or transport over long distances, a single mirror of the same size. By the way, the OLT would have cost $1.5 billion.


Image: ESO.

Extremely Large Telescope (ELT)
Under construction in the Atacama Desert, Chile. It’s estimated that the images captured will be 16 times sharper than those from the Hubble Space Telescope.


Image: Swinburne Astronomy Productions/ESO

Thirty Meter Telescope (TMT)
Proposed for Mauna Kea, Hawaii. Will operate in the near-ultraviolet to mid-infrared part of the spectrum.


Image: TMT Observatory Corporation

Laser guide
The Very Large Telescope (VLT) in the Atacama Desert, Chile, is an array of four large optical telescopes, and four smaller auxiliary telescopes, working in unison. The Laser Guide Star (LGS) creates an artificial star at an altitude of 56 miles (90 km). The telescopes use a system called “adaptive optics,” that makes optical corrections for atmospheric distortion using this laser reference point. Computers send signals to deform the secondary mirrors and thus make the necessary high-speed adjustments to the real-time image. The primary mirror’s shape is constantly adjusted using “active optics,” a computer-controlled system of actuators.


Photograph: G.Hüdepoh/ESO.

Hubble Space Telescope
This very successful orbital workhorse was launched in 1990 into a low Earth orbit of 340 miles (547 km). It’s primary mirror is 7.8 feet (2.4 meters) in diameter. Now, here comes one of those mind-blowing space facts (from NASA) that none of us can get our head around: Hubble can lock onto a target without deviating more than 7/1000th of an arcsecond, or about the width of a human hair seen at a distance of one mile. And it’s moving at 17,000 mph (27,300 kph).


Photograph: NASA.

Inside view. Click on the image for a larger version.

The future of space observation
The James Webb Telescope, launching in 2021, will be parked about one million miles from Earth. It’s orbit around the sun at Lagrange point 2 (L2) is optimal for maintaining a constant temperature. The sunshield will keep out light from the Sun and the Earth, and allow the telescope’s sensors (which detect infrared light) to generate unprecedented views of stars and galaxies.


Image: NASA.


Infographic: NASA

The primary mirror is made of gold-plated beryllium. Explore the telescope in 3D here: https://wst.nasa.gov/webb3d/#


Photograph: NASA.

Traditional
The Yerkes Observatory in Williams Bay, Wisconsin, houses the world’s largest refracting telescope, which has a 40-inch lens (102 cm). It was completed in 1897 for the University of Chicago. The telescope played a huge role in the development of modern astrophysics, but has been superseded by technological developments, and will close next month.

Albert Einstein paid a visit to the famous telescope in 1921.


Photograph: University of Chicago Photographic Archive

A telescope for the people
Ohio University owns a 10-inch (25.4 cm) Fecker refracting telescope that was built in 1950. It was restored a few years ago to it’s original condition, and is now inside a new observatory building. In the photograph below, the project is nearly complete.


© Ohio University/Photograph by Jean Andrews.

Now the facility is frequently open to both students and the public, so they can experience the magic of looking at the stars.
The schedule: https://www.ohio.edu/cas/physastro/research/observatory/public-telescope.cfm

© Ohio University/Photograph by Ben Siegel.

Thank you to Ahmad Shamloumehr, a graduate student in Physics and Astronomy at Ohio University for giving me the idea for this post, and to Jean Andrews, Special Projects Assistant, Physics and Astronomy, for help with the OU images.

A related post, “The color of space:” https://wp.me/p7LiLW-2lV