Month: May 2018

Eight by Eight: World Cup Issue

THE GLOBAL GAME.

Soon 32 nations will compete to see who’s on top of the pyramid for the next four years, and Eight by Eight is on the case. The latest edition of the best football (soccer) magazine has just been published.*

The World Cup, Then and Now, Special Issue is the usual mixture of insider insight coupled with stunning design, illustration and photography. The driving force behind all this is the team of Robert Priest and Grace Lee. Same pages from the issue are shown below.

Subscribe here: https://shop.8by8mag.com/collections/subscribe

Local team
When Fernando Baptista visited Ohio University** he mentioned that his local team, Athletic Bilbao, only signs players from the Greater Basque region. Below is my attempt to show that by looking at the starting lineup for one La Liga game. Click on the graphic for a larger version.

Choose the champions
If you want to make your own World Cup predictions, or just track all the results, download Eight by Eight’s bracket: http://bit.ly/2khDJ12

*Full transparency: I’m the infographics director.

**Fernando in Ohio: https://wp.me/p7LiLW-1O0

Time capsules

SENDING OUR ARTIFACTS INTO THE FUTURE.

Queens cache
The New York World’s Fair site in Flushing Meadows Park has already featured a few times in this blog. Of course, it’s home to the magnificent Unisphere (1964/65): https://wp.me/p7LiLW-3D
And on that same site was the Trylon and Perisphere (1939), another favorite icon of mine: https://wp.me/p7LiLW-2fK

Perhaps less well known is the presence of two time capsules, one from each of the two World’s Fairs, which are 50 feet (15.2 meters) below a circular slab. The 1965 capsule is shown above.


Photograph by Gary Dunaier.

This location was once at the center of the 1939 and 1964/65 Westinghouse Pavilions. The capsules will (hopefully) be opened in 6939, five thousand years after the first New York World’s Fair. Below, the 1938 Capsule is about to be lowered into the shaft, and a diagram of the site (with some considerable exaggeration of the scale of the capsule and shaft).

The objects inside the metal capsules (which were intended to give an idea of American life) are preserved in inert gas. A record of the contents was sent to museums and libraries around the world. This replica of Time Capsule 1 is in the Heinz History Center, in Pittsburgh.

Visitors to the 1964/65 Fair could sign a guest book which was photographed onto microfilm and placed inside the capsule.

Shorter term
Harold Davisson did not create his time capsule collection for a future civilization, but for his grandchildren, so they could see first-hand all the things that were part of his life in 1975. However, he lived until 1999 (when he was 91), so he was able to describe the contents to them in person. The date set for the capsule to be opened is 2025. 

Harold included 5,000 assorted items including a car (a Chevrolet Vega). He wanted to get his time capsule into the Guinness Book of World Records as the world’s largest, and he achieved that in 1977, but then an argument began. The Crypt of Civilization in Atlanta (which was sealed in 1940) is larger, although Davisson felt that as it’s a sealed room, it is not the equivalent of a buried time capsule. By the way, the Atlanta chamber (shown below) will not be opened until 8113.

So to make sure of being the largest, Harold built a second capsule in 1983, above the first, underneath a concrete pyramid. He put another (well-used) car in this one, along with other assorted things.

Future car
In 1957, a new gold and white Plymouth Belvedere, with various items inside it, was placed in a vault in Tulsa, Oklahoma. Residents of the city guessed what the population would be in 2007, and the idea was that after the vault was opened, the winner would get the Belvedere.

Unfortunately, the vault had flooded over the years and ruined the car. But Tulsa has another time capsule car, a Plymouth Prowler, which was put into an above-ground vault in 1998. That one will be opened in 2048.

The color of space

COMBINING THE VISIBLE AND THE INVISIBLE.

I’m following a “looking upwards” theme this week. Monday’s post was about the sky: https://wp.me/s7LiLW-sky

Above is a Hubble Space telescope image of the Carina Nebula (which is between 6,500 and 10,000 light years from Earth). This is termed a “visible light image,” but several colors (gathered in separate black and white images using different filters) were combined to make it. Yes, the colors are all individually visible to the human eye, but would the Carina Nebula look exactly like this from the Starship Enterprise? Well… no.

Infrared reveals stars inside the column of gas and dust.

Cassiopeia A (approximately 11,000 light years away) is a remnant of an exploded star. The Chandra X-Ray Observatory produced these images. Isolating the X-rays of different elements reveals what’s been left behind.

So contrary to some ideas circulating online, astronomers don’t assign colors to ultraviolet, X-rays and gamma rays to make the images more appealing to the public. Colors are informational, and visualize the information that is reaching us from space. A fortunate by-product is the stunning images that we’re used to seeing.

A broadband image of galaxy NGC 1512 using seven filters from ultraviolet to infrared.

The Andomeda galaxy in ultraviolet. Blue is far-ultraviolet light, yellow is near-ultraviolet.

Another image of Andromeda taken with a hydrogen-Alpha filter. Photograph by Adam Evans.

A Hertsprung-Russell diagram is a scatter plot where the vertical axis is brightness and the horizontal axis is surface temperature (color). Stars are categorized by letters that indicate decreasing temperature: O,B,A,F,G,K, and M, and then subdivided within each type by numbers where 0 is hottest and 9 is coldest. Our Sun is classified G2V. The V means it is a main-sequence star, which is the most common type of star in the universe. Click on the image for a larger version.

Looking back at the Earth
NASA’s iconic Blue Marble (the one that was on the first iPhone’s lock screen) is a composite image that was created by Robert Simmon in 2002. Four months of data from the Terra satellite were combined and wrapped onto a digital sphere in a 3D program. Various other effects were applied in Photoshop to create what Simmon has described as a “hyper-realistic” image of the Earth.

Some of the Photoshop layers.

A complete unadjusted image from the Deep Space Climate Observatory spacecraft taken in 2015.

Adviser for this post: Ahmad Shamloumehr, a graduate student in Physics and Astronomy, here at Ohio University.

All images are NASA or ESA, except where noted.

Sky

LOOKING UPWARDS.

I grew up in the U.K., and there were a lot of gray days. I guess that’s why I didn’t really need a cyanometer (above), which measures the blueness of the sky. It was invented by Horace-Bénédict de Saussure. This one is from 1789, and is in the Bibliothèque de Genève, Switzerland.

Why not take a Pantone swatch book outside and see which color is currently being used by Mother Nature? Like Andrea Antoni is doing here. He matches Pantone colors to all kinds of scenes. On Instagram: https://www.instagram.com/stailuan/

Inspired by this, I tried to do a similar thing with the sky over the street where I was born. (On the Isle of Sheppey.)


Image from Google Street View.

Clouds
Here’s a handy cloud identification guide. I’ve been using it to sound like a meteorologist: “Oh, look everyone, there’s some altocumulus and cirrostratus around this morning.”

I like looking for shapes in clouds. An unusual hobby, but so is bus-spotting (collecting the registration numbers of public buses), and I used to do that too. Anyway, the United States might come floating past my window…

… or perhaps a roast chicken.

You never know.

Emoji design

EVERYDAY PICTOGRAMS ELEVATED.

OpenMoji was started by Interaction and Communication Design students at the The University of Design Schwäbisch Gmünd in Germany. It’s an open-source emoji library created from a designer’s point of view. A welcome move towards a more unified set of icons.

Here’s a sample of the emojis. Everything on the site is available for download in SVG and PNG formats. http://openmoji.org/index.html

Whether we like using them or not, the fact remains that emojis are the most popular item (in terms of sheer quantity) in the visual communication universe.

A previous post, “Emojis and beyond” by Nigel Holmes: https://wp.me/p7LiLW-OG

And one from World Emoji Day: https://wp.me/p7LiLW-1so

X-ray

THE UNDERLYING STRUCTURE REVEALED.

Nick Veasey makes X-rays of various objects in his custom-built studio, which has thick concrete walls and a heavy lead and steel door. Because of the limits of the size of X-ray film, Nick assembles the images of larger objects from separate scans. He also takes the items apart to scan each piece and get a level of internal detail that would otherwise be impossible. For the Boeing 777 shown above, he made approximately 500 scans of individual components. Click on the image for a larger version.
A skeleton that was used for training radiologists, is the source of the human elements. Some Photoshop composition and manipulation is part of the process. http://www.nickveasey.com

Kent Krugh X-rayed cameras for “Speciation,” a photography project. http://www.kentkrugh.com/portfolios/speciation/

Extreme architecture

UNUSUAL IDEAS FOR BUILDINGS (SOME OF WHICH WERE BUILT).

OBJECT-DRIVEN
Here in Ohio, we have a giant picnic basket building. It was the headquarters of the Longaberger Company until 2016, and is a surprisingly accurate representation of their Medium Market Basket. Last year it was sold to a developer.
Photograph by Derek Jensen.

The National Fisheries Development Board (India) has an interesting regional office. It’s in Hyderabad.

The Piano House in Huainan, China is built in the shape of a piano and violin. It’s currently a showroom for the district of Shannan.

OVER-SIZED

THE ULTIMATE HOME
This might look like a cathedral, but it’s a very large house. For one person.

William Beckford’s extravagant Fonthill Abbey was also known as “Beckford’s Folly,” and unlike some of the other examples below, it was actually constructed. Work began in 1796, and was completed in 1813. Beckford lived on his own in the house and only used one bedroom. Guests would have been quite impressed entering through the Great Western Hall.

Unfortunately, the 270-foot tower (82 meters) collapsed in 1807 (shown below). A replacement tower of the same height took six years to build, but it also collapsed. So over the following seven years, another tower (much shorter at 145 feet tall, 44 meters) was built. A footnote: after Beckford sold the house, the third tower collapsed too.

RESIDENTIAL SKYSCRAPER
Antilia is a much more recent example of an extravagant private residence. This 27-story, 568-foot tall, house (173 meters) is owned by Mukesh Ambani, and opened in 2010. It’s in Mumbai, which has a lot of poverty, and consequently the house drew considerable criticism. At a cost of around $2 billion, it’s the world’s most expensive residential building. A few items for a real estate listing: Nine elevators. Three helipads. Over 400,000 square feet of space. Parking for 168 cars.


Photograph by A.Savin.

GERMANIA
Adolf Hitler had some big ideas for Berlin. His new capital, Welthaupstadt Germania (World Capital Germania), was designed to celebrate his victory in World War II. Albert Speer was the architect of the grand plan, which was (obviously) never realized. The colossal Volkshalle would have been over 656 feet (200 meters) high with room inside for 180,000 people.

The Arch of Triumph, at around 330 feet (100 meters) tall, would have been large enough for the Arc de Triomphe (Paris) to fit inside it’s opening. The structure would have shown the names of the two million Germans who died in World War I.

NEWTON FANTASY
Étienne-Louis Boullée designed a cenotaph for Isaac Newton in 1784. It was intended to be an impressive 500 feet (150 meters) tall. Holes in the dome would give the illusion of stars in the night sky.

SOVIET SKYSCRAPER
Work on Moscow’s gigantic Palace of the Soviets began in 1937, but was stopped in 1941 because of the German invasion.

It would have surpassed the Empire State Building with a height of 1,624 feet (495 meters).

MEGA-ARCH
The stainless steel Gateway Arch in St.Louis is the world’s tallest arch at 630 feet (192 meters).

Photograph by Daniel Schwen.

Line art

INFORMATIONAL VECTOR-BASED ILLUSTRATION BY JOSH MCKIBLE.

MCKIBILLO is the professional name of Josh McKible. It’s a combination of McKible and illo (illustration). I’ve always admired Josh’s stylish, and carefully considered line art style. The use of strong color and simple patterns. It’s the graphic language of information. A modern version of the illustration used in the workshop manuals, and all kinds of how-to instructions, that I grew up with in the last century.

Above, the nuclear cycle, from mining uranium to spent fuel. Below, dealing with an aggressive dog…

…and surviving a shark attack.

Illustrations for an article on emerging technologies.

Josh has made workout graphics for several publications.

How to make pulled pork on a barbecue.

A camper van that has features normally found on a full-sized recreational vehicle.

Future spacesuit.

The process of tapping syrup.

 

A smart home energy system that connects to the grid.

Cat exerciser. (Yes, this is a real approved patent.)

Website: http://mckibillo.com

Behance: https://www.behance.net/mckibillo

Instagram: https://www.instagram.com/mckibillo/

Chess

DESIGNS FOR A CLASSIC GAME.

New York City
Skyline Chess (architects Ian Flood and Chris Prosser) used a Kickstarter campaign to develop a 3D-printed set of iconic NYC architecture pieces. Available in black, white or metal.

They started with a London version. So now the two cities can be battling each other. https://skyline-chess.co.uk/

Bauhaus
This simple geometric set was designed in 1923–24 by Josef Hartwig. The form of each piece suggests how it can move on the board.

Packaging by Joost Schmidt.

World Chess
David Weil of Pentagram designed the World Championship Chess Set. The pieces are inspired by the friezes on the Parthenon. The set was first used at a tournament in 2013.

The new set is a development of the Staunton set (below) that has been standard since 1849, and referenced neoclassical elements.


Photograph by Bubba73.

It was part of a full redesign of every aspect of the World Chess Championship, including posters and an app to track the matches.